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Do we need to see flappers in 3D? Baz Luhrman seems to think so. At the Consumer Electronics Show in Las Vegas, Luhrman recently announced that he was considering making his adaptation of F. Scott Fitzgerald’s seminal novel, The Great Gatsby, a 3D project. The film, slated to star Leonardo DiCaprio as Gatsby, Tobey Maguire as the impressionable and fascinated narrator, and Carey Mulligan a Daisy, the object of Gatsby’s desire, would be at least the fourth attempt to bring the iconic American novel to the big screen. Why does this novel hold such sway over America and Hollywood? Is it that this saga of ambition, greed, innocence lost and love—is actually meant to serve as a cautionary tale for all those yearning souls hoping to strike it big on one scheme or another.

With all these different attempts, the essence of the story has stayed the same—a man striving toward his dream, not realizing that it may have already been past. Somehow the idea of making The Great Gatsby in 3D exudes the very excesses that the novel or film seeks to expose. If this largely emotional and human tale will be enhanced by 3D technology remains to be seen, but it is far too soon to truly issue a judgment. If nothing else, at least the theater owners will be happy.

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MINI, the premium car brand, is set to do battle with a five-tonne monster truck in its latest advertising campaign. The film will give audiences their first experience of slow-motion 3D imagery enabling viewers to experience every aspect of the blockbuster.

In a world-first use of cutting-edge 3D slow motion technology, the two-minute film entitled MINI vs MONSTER, is a high-performance visual feast, designed to wow 3D-hungry audiences and leave MINI fans on the edge of their seats when it opens in cinemas today, 14 January.

The film was created by advertising agency, BSUR. Jason Schragger, executive creative director, said: “This new 3D technology makes you really feel like you are in the crowd and are part of the jump. You experience every detail, it’s better than being in the stands. 3D is the future of a new wave of immersive advertising which puts viewers at the heart of the action, which this film certainly does.”

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Pink Visual president Allison Vivas

During the past two years, the adult-entertainment industry was struck by a deadly combo — the recession and the rise of Internet piracy.

For many companies, including some of those exhibiting at this year’s Adult Entertainment Expo at the Sands Expo, the former issue has been easier to overcome than the latter.

“The sales definitely went down. The (video-on-demand) has picked up a little bit, but not quite as enough to make up,” Evil Angel’s Karen Stagliano said. “The last couple of months have been better than the same months the previous year. It’s looking like it’s going to be a little better than last year.”

If this year’s expo is any indication, the industry’s outlook is looking up.

Last year’s convention brought 28,000 fans to the Sands, while 30,000 are expected for this year’s event.

AEE spokesman Sean Devlin said that the number of exhibitors has increased from last year, as well. “Things are looking good,” he said. “We’re real happy with where the show is at.”

Production companies are starting to be happy with where they’re at, as well. While sales figures for many have yet to return to pre-recession levels, the future is looking brighter as the economy recovers.

One company that’s hopeful about 2011 is Pink Visual, which has turned some of its attention to options such as mobile websites and an iPhone augmented reality app in an attempt to give consumers a product that is worth spending their money on and more fitting for private consumption.

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Christopher Nolan explains the reasoning behind not implementing 3D into ‘Inception’ and why he won’t introduce the format with the conclusion of his Batman trilogy, in ‘The Dark Knight Rises’

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While comic book fans and movie buffs theorize on what cheap carisoprodol online Christopher Nolan is drawing from to conclude his Batman trilogy with buy cheap carisoprodol, we do have some important hard facts about the film. What may be the most interesting design choice about the movie – and certainly very pleasing to moviegoers – is that Nolan will not will shooting how to buy carisoprodol in 3D, nor converting it afterward as per the desire of Warner Bros.

Nolan’s interest in utilizing IMAX tech may lead to them shooting most, if not all, of order carisoprodol Rises in the higher resolution (and expensive) format instead. And if director of photography, Wally Pfister, has his way, he’d love to do the carisoprodol uk buy as well. But with 3D offering and obvious method of bringing in more cash for the studio, why didn’t Nolan share his Inception in 3D and why will The Dark Knight Rises not be shot that way either?

Warner Bros. has made it known that their online carisoprodol to fill the void soon to be left from the conclusion of the carisoprodol online cheap series will make use of their vast library of DC Comics characters, and that all of these films along with their other big budget blockbusters, will be in 3D. Nolan’s Batman Begins and The Dark Knight didn’t make use of the third dimension, but why not jump in on the fad for The Dark Knight Rises?

“In the case of Batman, I view those as iconic, operatic movies, dealing with larger-than-life characters. The intimacy that the 3D parallax illusion imposes isn’t really compatible with that. We are finishing our carisoprodol online purchase on the next Batman, and we want to be consistent to the look of the previous films. There was more of an argument for a film like Inception. Ive seen work in 3D like Avatar that’s exciting. But, for me, what was most exciting about Avatar was the creation of a world, the use of visual effects, motion capture, performance capture, these kinds of things. I don’t think Avatar can be reduced to its 3D component, it had so much more innovation going on that’s extremely exciting. 3D has always been an interesting technical format, a way of showing something to the audience. But you have to look at the story you’re telling: is it right?”

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I’ve talked about this here and there over the last year, but we are now officially in 2011. Two things of note: 2011 will have the most packed summer schedule in recent memory. 2011 will have an obscene number of films being shown in 3D at multiplexes near you.

buy soma carisoprodol online, Sanctum, Gnomeo and Juliet, Drive Angry, Justin Beiber: Never Say Never, Mars Needs Moms, carisoprodol for sale online, Priest, buy soma, Kung Fu Panda 2, buy generic soma, buy soma on line, buy cheap soma, buy soma generic, Captain America, buy soma generic online, Conan the Barbarian, Fright Night, Spy Kids 4, Final Destination 5, Piranha 3DD, Dolphin Tale, The Three Musketeers, Contagion, Puss in Boots, Immortals, Happy Feet 2, Arthur Christmas, Hugo Cabret, Sherlock Holmes 2, Alvin and the Chipmunks: Chipwrecked, and The Adventures of Tin-Tin. That’s 32 titles in 2011.

I’m sure I missed a few here and there. And I’m sure a handful of those titles may end up moving to 2012 and/or deciding where to buy soma for one reason or another. But that’s 32 titles right there being released between January 14th and December 23rd of this year. 32 titles over a 50-week period. And just six of those titles are being released in the first four months of the year. That gives us 26 films being released in 3D over a 34-week period. So yes, if everything above pans out, that means that there will be nearly one 3D film being released every single week for the last 2/3 of the year. So in the heart of the summer movie season, we’ll have several major 3D releases opening against each other.

In between the soma buy and the various 2D pictures, will there be room at any of your local theaters for Pirates of the Caribbean: On Stranger Tides (buy soma now), Cars 2 (to buy soma), or Thor (buy canada soma) in 2D? The question becomes, what will you do if the films you want to see are theatrically available in 3D, and only 3D auditoriums? This isn’t just a matter of moviegoers deciding that they just don’t need converted 3D to enjoy their favorite franchise pictures. Generally speaking, big-studio 3D releases that are offered in a healthy selection of 2D auditoriums end up splitting the ticket sales about 50/50. Point being, if moviegoers have the choice, about half of them simply opt for the 2D option. Just as film-goers have largely decided that maybe they don’t want to pay the $5 surcharge and wear glasses to enjoy films that do not need to be seen in 3D to be appreciated, studios have so much 3D product coming your way that you may no longer have the choice to see these films in 2D theaters.

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Fans already know the phrase “post-conversion,” particularly as it relates to 3D movies, and they don’t like it.  “Clash of the Titans” made skeptics of many, as the rush-to-conversion movie gave the process of converting a movie shot in 2D to 3D a bad name.

“The Green Hornet” aims to change that.  Hollywood maintains that the secret of a good post-conversion is having the time to do it right, a luxury “The Green Hornet” had.  In a press release distributed to the media, producer Neal Moritz said that the decision to present “The Green Hornet” in 3D fit perfectly into the story they’re telling, including the way director Michel Gondry filmed it:

“Michel is a revolutionary,” Moritz says.  “You know, he’s the guy who invented ‘Matrix time’ – he did it in a Smirnoff commercial years before they used the same technique in ‘The Matrix.’  Michel uses every tool, every trick of the camera, CGI, everything, to tell the story.  And 3D is just another innovative tool that allows filmmakers to tell their stories in a new way.  So of course Michel was interested in releasing the movie in 3D, and using the depth and scope of the film in this dramatic new way.”

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As SlashGear’s self-appointed movie reviewer, I’ve seen about a half dozen buy soma in the uk this year on behalf of the site, and another half dozen on my own recognizance. After Avatar, it was clear that 3D was more than just a fad, that the new technology was a potential cash cow and definitely here to stay. But has it finally become mainstream? Is this really the year that 3D finally took off, or was the glut of 3D movies just another flash in the pan? After enjoying some of the best – and suffering the worst – that 3D has to offer, here’s what I’ve learned this past year.

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The Obvious Lessons

I’m just going to lump these obvious lessons into one group so I can get onto the more interesting ideas. Yes, 3D buy soma online said make mostly suck. 3D adds little value to even a good movie, and completely decimates the worst of the bunch. For every Avatar and Tron: Legacy, there is a Clash of the Titans and Alice in Wonderland, or worse. Remember Piranha 3D? I didn’t until I started researching for this column and going back through my old reviews.

The worst buy soma no online prescription movies have been converted to 3D after the fact. Actually, these were all so very bad that they should really be legally required to market themselves differently. Perhaps as 2.5D movies, or Diorama movies, since they more closely resemble a strange mix of two-dimensional figures placed at depth in a 3D space than anything you’ll experience in real life.

The other problem with 3D movies is the ticket price. At my local theater, a Cinemark branch, they usually hit you twice with a 3D tariff. First, you get the 3D surcharge, which is an extra $2 or so, depending on where you see the buy generic soma in brisbane pharmacy and at what time. But most big 3D movies are also IMAX features (XD at Cinemark), and so you’re paying an extra $2 or more for that privilege. Don’t get me started on why the current incarnation of IMAX is a huge rip-off (and destroying the once fabled IMAX brand). Needless to say, you’ll pay an extra $4 or more to see Jackass 3D on opening weekend.

The best 3D doesn’t poke you in the eye

The best 3D scene I saw in any movie this year was, surprisingly enough, in the movie Step Up 3D. It was not your quintessential horror or sci-fi where can i buy soma, but rather a dance film. It was awful. The acting was atrocious. The dancing was exciting at best, frenetic and poorly filmed at worst. It was a great concept, I’ll give it that. A dance movie makes for a fun and unique 3D experience, for sure. But it wasn’t a good movie, 3D or not.

However, there was one scene that caught my eyes. It was a simple rooftop shot of New York City, laid out like a panoramic landscape. Seeing the huge city in three dimensions in the theater gave it a depth I had never experienced before in a movie. It added real distance to the buildings. A very real sense that the characters were just small pieces in a much larger cityscape. New York, in movies, often feels like a painting of famous landmarks and buildings. In that one scene in Step Up 3D, the director managed to place the audience in the middle of a breathing metropolis in a way that was fresh and fascinating.

The worst 3D movie effects try to throw something off the screen into your face. The best 3D effects try to immerse you in a world with depth and substance. While this may seem more obvious in the 3D fantasy worlds of Tron: Legacy and Avatar, it works equally well in a huge, establishing shots in real world cities. I would like to see this used more. It seems 3D is most successful when it’s the least self-aware.

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More and more frequently, the content of a film, the director or the cast is becoming less of a priority. Instead, the phrase “In mind-blowing 3D” has become the tagline norm just as much as the wit on display when marketing execs decide “Slow justice is no justice” is fitting for the 2D fare. I, as should all of us, blame best place to buy soma.

As innocent as Cameron’s effect on cinema may have been, thanks to him and Avatar, not only was it proven 3D is an alphanumeric acronym for “Show me the money!” but it also brought along the idea 3D wasn’t simply a tool for less-imaginative helmers. And by the way, I think Cameron buy soma without a prescription.

Would Martin Scorsese have ever buy soma soft tabs online cheap, “Why couldn’t a film like Precious be in 3D? It should be,” if it wasn’t for Avatar? Scorsese’s statement was made in early March 2010, right around the timeAvatar was approaching $706 million and days before Alice in Wonderland would begin its own run to $1 billion in worldwide ticket sales. Anyone care to argue he was touting the effect My Bloody Valentine or Jonas Brothers: The 3D Concert Experience had on him when he made that statement?

Shortly thereafter it was confirmed Scorsese’s next film, where buy soma, would be in 3D. Thus validating 3D as a filmmaking gimmick no longer exclusive to James Cameron and a fleet of B-level directors.

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Gulliver’s Travels is the beginning of the end of live-action studio 3D, with the exceptions of much more selective titles moving forward…

When you start breaking down 2011 in 3D, it gets a little more interesting. More than 30 titles in 3D are now on the schedule.

Jan/Feb seems like a big danger zone. Sony is more hopeful aboutThe Green Hornet, though so far, the campaign is not clicking outside of the geekiest of us all. The Bieber concert film is a question mark… more Miley or more Jonas? And Summit returns to Cage as Franchise, his second film in 6 weeks. Does anyone need to see a car film in 3D? We’ll see.

The Green Hornet – Sony – 1/14/11
Sanctum – Universal – 2/4/11
Gnomeo and Juliet – Miramax – 2/11/11
Justin Bieber: Never Say Never – Paramount – 2/11/11
Drive Angry – Summit – 2/25/11

The March-Summer offers 10 premium 3D titles and one Screen Gems floater. Disney has the next Zemeckis-style animated film, followed a month later by Fox’s attempt to replicate the Ice Age franchise with RioMars Needs Moms has the tougher road.

Summer is when things get interesting. Pixar and DWA has near-locks with the animated Kung Fu Panda 2 and Cars 2. You also have two franchises that will do huge business with or without 3D, Pirates and Potter. How much will 3D add to the gross? It will be interesting to see… and almost impossible to judge clearly. If, for instance, Pirates does $350m domestic… is that seen as $70m of found 3D money and the film would have been the weakest Pirates without it… or is this a reboot that should be happy to have that… or did 3D prices inhibit the film from another 10 million people coming to the movie theater? Alternately, it could be the biggest of the series… but is that 3D or Depp or the overall quality of the film or… what? No one can know for sure. But whatever the number, watch the theories fly.

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As with all things Avatar, James Cameron pushed 3D technology to a new zenith in 2010. So much so, that it is our Entertainer of the Year.

It is not just the staggering box office Avatar generated, although that is impressive enough. It is not even that the Avatar experience has once again made going to the movies more of a special event. Instead, movies are just one part of a rapidly expanding 3D scene that is also being driven by video gamers and sports events.

Gamers are tech-savvy. 3D can be sensational for their purposes. As for sports, select events are being telecast in 3D in Canada, the U.S. and abroad. Even Hockey Night in Canada is getting into the act with two NHL games involving the Montreal Canadiens. One 3D game occurred Dec. 11 with the Toronto Maple Leafs as hosts. The second is scheduled for Feb. 20, with Montreal visiting the Calgary Flames for the Heritage Classic in McMahon Stadium.

Trouble is, experts claim only certain kinds of sports are worth seeing in 3D, specifically ground-level action. Overhead views, traditional for hockey, are far less effective.

Nevertheless, 3D is now hitting home, literally. 3D television sets are for sale in every electronics store. But are people buying them?

The stereoscopic landscape is complicated, just like the technology. We are dealing with 3D issues that scientists and inventors have grappled with since the 1830s, when the notion of creating the illusion of depth perception while viewing still photographs was first brainstormed.

We still get eye fatigue, although nothing like audiences did when they watched the infamous B-movie called Bwana Devil in 1952, kick-starting a brief 3D craze that seized Hollywood. The old 3D systems were awkward, gimmicky.

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