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Augmented reality has one more use case: a team of researchers at Japan’s buy carisoprodol online uk (AIST) has developed an AR guidance system that can help inexperienced or new workers navigate difficult situations remotely.

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MIT researchers have designed a computer chip that mimics how the brain’s neurons adapt in response to new information, known as plasticity.

With about 400 transistors, the chip can simulate the activity of a single brain synapse — the connection between two neurons that lets information flow from one to the other.

They say it will help neuroscientists learn much more about how the ordering carisoprodol online, and could also be used in neural prosthetic devices such as artificial retinas.

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To say this is augmented reality would be like saying Richard Pryor told a few jokes in his lifetime. My inner-geek, outer-geek, and every geek in between just jumped up and down while clapping and shouting “cooooool!”

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Interesting take on the “clicker.” I don’t know if it’ll become popular with mainstream consumers any time soon, but I hope this technology keeps expanding and integrated into other technologies.

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Touch sensitivity on gadgets and robots is nothing new. A few strategically placed sensors under a flexible, synthetic skin and you have pressure sensitivity. Add a capacitive, transparent screen to a device and you have touch sensitivity. However, Stanford University’s new “super skin” is something special: a thin, highly flexible, super-stretchable, nearly transparent skin that can respond to touch and pressure, even when it’s being wrung out like a sponge.

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The Massachusetts Institute of Technology may be the birthplace of the American geek. Within MIT, its Media Lab drills down to the heart of the next wave of technology from creating buildings with 3D printing to prosthetic limbs to gesture-based user interfaces. For instance, the MIT Media Lab was where the idea for the technology seen in the movie Minority Report originated.

The unofficial motto of the MIT Media Lab is “demo or die.” It is akin to the classic academic model of “publish or perish,” except that students and faculty at the Media Lab are encouraged to actually create the products they are thinking up, as opposed to pontificating upon them in research papers. See below to check out some of the amazing waves of technology that will be bursting out of the Media Lab in the future.

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The phrase “these are not the droids you are looking for” keeps passing through my brain when I think of the robots that are being created at the Media Lab. Two prominent examples are MDS prototypes – mobile, dexterous and social. See the picture of the two robots below. They can move about, have hands that can interact with the world around them and show a range of emotion by being social.

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A new brain chip that allows monkeys to control a virtual hand and sense touch may be the breakthrough needed to give paralyzed patients the protheses control they need.

Scientists have created a brain implant that not only allows monkeys to control a computer with their thoughts, it also allows them to “feel” the virtual objects. The new, two-way, brain-machine-brain interface represents a major breakthrough in the field of neuroprosthetics. Bolstered by the results, the scientists plan to test the technology on a quadriplegic in just three years.

There have been a number of advances in brain-machine-interface (BMI) research in recent years. Implants have allowed monkeys to buy cheap soma generic and even a buy generic soma in brisbane with impressive precision. In the current study, two macaques were trained to control a virtual arm on the computer screen and use it to “grasp” virtual objects. What separates these macaques from past BMI trainees is that, when their virtual hands contacted the virtual objects they were able to “feel” the objects.

The macaques were shown three identical objects on the computer screen. They were trained to pass the virtual hand over the three objects and to choose the one that evoked a sensation.

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“Dr. Chandra, will I dream?”
“I don’t know.”

If Hal was somehow able to dream after Dr. Chandra shut it down in Arthur C. Clarke’s “2010,” the results may have looked something like buy soma in the uk. Not at all resembling the sheep we might conjure as we fall asleep, these beautiful digital images spring to life when a computer drifts off to its screensaver slumber. But they’re more than just a randomized graphics program. Each Electric Sheep is the collective creation of thousands of computers around the world. The Electric Sheep shown in the pictures and videos below are a striking artistic demonstration of the creative powers of the Internet and open source sharing. By voting on sheep they find visually appealing, humans cause these virtual creatures to compete, procreate and evolve. What strange and beautiful results may arise as these visual creations become ever better examples of digital lifeforms?

The sheep are the creation of buy soma online now, and they’re the conceptual descendants of one of Draves’ earlier creations called Flames. While getting his PhD in computer science at Carnegie Melon he wrote an graphics algorithm to create fractal patterns by treating each pixel as a variable and by introducing parameters that numbered in the thousands. The original flames were created using plugins for Adobe Photoshop and AfterEffects. He published the algorithm online and, well, the Flames spread. Today the Flame algorithm is installed on millions of computers worldwide.

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Although some have argued that the politics of the street has been replaced by new media politics, it seems that the public sphere within which politics takes place is now defined by a specific mode of bodies interacting with media. Hannah Arendt once argued that there could be no exercise of freedom without the creation of a ‘space of appearance’ and even ‘a right to appear’. How do we understand those new forms of democratic insurgency that form alliances that are not in coalitional forms? Who is the embodied ‘we’ on the street transported through media, and yet in place and at risk?

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Everything is a Remix is a four part web-film series directed and produced by Kirby Ferguson. It has been about a year since the first segment (above) was released. Since then, Ferguson has released parts two and three. The fourth and final installment is scheduled to be released this Fall of 2011, and I look forward to viewing it.

When I viewed part one, I really liked it, and thought that the title, while it may sound polemical to some degree (in a tongue-in-cheek sort of way), somewhat falls along the lines of how I view and have been discussing Remix as a form of discourse during the past few years. However, once I viewed the other two segments, I realized that the way some of the material is presented begins to water down the very foundation of the term “remix.”

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